人们总是希望从法律中寻找真相，真相的认定却往往取决于人们心中的恐惧……资深检察官安迪·巴博负责调查一个高档小区里发生的一起案件。然而，一项关键证据却让他的儿子雅各布变成了被告。随着法院开庭，他们一家人的生活被曝光于大众面前。巴博夫妇才渐渐发现记忆中乖巧的雅各布，不知何时已经走进一个他们触碰不到的世界：他与同学相处时容易躁怒的脾气、说话时冷漠的口吻，感觉就像个陌生人。尽管如此，安迪和萝莉仍旧愿意牺牲一切来捍卫自己的孩子，毕竟，在内心深处，他们比任何人都要更了解雅各布……剧集改编自美国罪案小说家威廉·蓝迪（William Landay）2012年同名畅销作《永远没有的真相（Defending Jacob）》，由《美国队长》克里斯·埃文斯、《唐顿庄园》米歇尔·道克瑞和《小丑回魂》杰登·马泰尔领衔主演。

Composed of 8 episodes that are each about 6 minutes long, the drama tells interesting stories of a couple in an office-dating relationship. Even though each clip is short, the web drama as a whole offers various sides of office dating such as heart-throbbing moments before the relationship blooms and little misunderstanding and difficulties arise in a relationship.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

At the beginning of the 20th century, the arrival of a man on the Breton coast near Saint-Malo fills him with awe as he observes the devoted, courageous sailors and their wives waiting for them on the shore. Among them is a young laundress, whose charm does not leave him indifferent, waiting for her beloved, who left for sea months ago. When the ship returns, her fiancé is dead. He then decides to join these valiant men and, through his dedication, prove his love to the young woman.

Young-Hoon works for his mother’s restaurant, but he prefers hanging out with his friends. He then meets Yeun-ah, a tough lady that works in a room salon as a barmaid. She takes the initiative by coming to his restaurant, when he is working, and propositions him in a playful way. They become a couple, but their relationship is always volatile. They fight constantly (physically and verbally), but the next moment kiss and make up. Meanwhile, Young-Hoon already has another girlfriend, who is his finance!

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

A common day in Stockholm some people face major changes. The owner of a fur shop meets an animal rights activist. A priest has restrictions on Saint Lucy's Day. An old woman evicts and a young man disappoints his father.

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Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Brad, Christina, T.K. and Kelly are on a post-graduation trip to Europe. Unfortunately, what starts out as a dream quickly spirals into a nightmare. Upon entering a 14th century castle, the friends find themselves trapped in a horrifying alternate realm where violent hallucinations overtake them. A stranger emerges, shocking them with the reality of their terrifying fate; one must stay behind - alone forever within the torturous stone walls, in order for the rest of the group to escape. As time runs out, hope and reason disappear, anarchy takes over and extreme violence erupts. Will it be male strength or female guile that will ultimately determine who will bear the terrible fate?